![]() ![]() “With a project that spans eight months, everyone gets a shot. “It sounds like an exaggeration but it’s not,” says McCoy. Incredibly, that effort took around 1800 artists about eight months to pull off. Even the cloth, or the lapels on the jackets, the straps on the jackets every little thing has to be roto’ed, every little thing has to have the right orientation, the right shaping, the right angle, and be put into the 3D world at the correct spot.” “Every little detail in the depth map has to be perfect. He’s got such an iconic face and build that if it looks wrong, it’s always going to look wrong.” “Arnold really needed to look like Arnold in 3D because he’s such an iconic figure. Jim shoots with so much depth that when you get your hands on it you can really play with all his visual cues.” “It’s so much fun when you get to work on the great, great films, and this is one of those. Stereo D has worked on many old and new film conversions, but President William Sherak says Terminator 2 is one that stands out. But there also appears to be some stunt double face replacement work for Arnold Schwarzenegger’s T-800 character and other minor fixes. Some visual effects changes have been made to the film Cameron has said in interviews that his only major visual effects alteration was retaining the glass windshield of the truck in the LA river canal scene until it is pushed out by the T-1000, for continuity purposes. The entire process was supervised by Geoff Burdick from Lightstorm Entertainment (Cameron’s production company). The film was calibrated in 4K by Skip, Cameron’s colorist, at Technicolor Hollywood using a selection of the best 35mm prints from the film’s first release. ![]() #3D CONVERTER FOR TV WITH GLASS MANUAL#The manual ‘dust busting’ procedure took hundreds of hours to clean the 4K scans back to their original pristine condition, but it was a necessary step since the 3D conversion process essentially involves rotoscoping thousands of images in every frame. ![]() The Post and Restoration Services Group also removed dirt and repaired scratches. “The technology submerses the film frame into liquid, making the scratch invisible to the camera.” “The wet gate liquid conceals and reduces most base and emulsion scratches,” explains Deluxe’s Allan Tudzin. But don't worry, they'll surely calm down when the novelty wears off.Before the stereo conversion could take place, Deluxe’s Post and Restoration Services Group, housed out of EFILM, scanned the film at 4K on a custom wet gate scanner. This is caused by your brain struggling to cope with changes in focus and orientation as whizzing camerawork is a favourite of directors discovering 3D. There's another catch: some people who have tried the sets over long periods have reported feeling seasick (and not only while watching A Perfect Storm). ![]() That means you're not going to be getting them cheap for quite a while. It's finicky, though: the lenses have to be aligned precisely over each of the millions of pixels in the screen. Your eyes pull two of these images together and interpret them as a binocular scene, which means that you perceive it as being 3D. Fine, but what technology? First, you build a standard HDTV then you add eight lenticular-style layers on top, which break the image into repeating segments – in effect, four potential points of view for the left eye, and four for the right (which means you get the 3D effect over a wide field of view). If you ask a 3D-imaging specialist such as NewSight how it does it, it will say that it has "a proprietary technology with numerous patents throughout the world". ![]()
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